Hoyt Institute of Fine Art in New Castle, PA- Solo Show of "Thou Art..., Will Give..." in the Main Galleries
Aug
20
to Oct 31

Hoyt Institute of Fine Art in New Castle, PA- Solo Show of "Thou Art..., Will Give..." in the Main Galleries

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Excited to announce I will have a solo show at Hoyt Institute of Fine Art in New Castle, PA for my body of work Thou Art…, Will Give…. I will also be offering an artist talk and a workshop in conjunction with this exhibition. More details on those will announced later.

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Rust Belt Biennial- Top 15 Photographers
Aug
27
to Oct 5

Rust Belt Biennial- Top 15 Photographers

  • Sordoni Gallery, Wilkes University (map)
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Excited to be a part of the first Rust Belt Biennial as one of the Top 15 photographers chosen to exhibit our work.

Rust Belt Biennial

This land, its people, the pride and the struggles, the patina of the past and above all, the histories and memories ingrained in the soil across the region. It is time to make new memories and new histories, while revisiting and reevaluating old ones; It is time to start a new dialogue about the state of photography and it’s social, cultural and political effects in our society; it is time to give back to the photographic community but also the region; it is time for you to join us!

For our an inaugural Biennial we are grateful to have
Andrew L. Moore as competition juror.

We are honored to collaborate with the Sordoni Gallery at Wilkes University, in Wilkes-Barre, Penn., where the Biennial will be held from August 27th to October 5th of 2019 with an opening reception Saturday, Sept. 7th, 6-8pm. Additional information regarding dates of the main exhibition with lectures and presentations will be published in the Spring.

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The Photography & Digital Arts Gallery, Flower City Arts Center Rochester, NY- Solo Exhibition of Thou Art..., Will Give...
Sep
13
to Oct 26

The Photography & Digital Arts Gallery, Flower City Arts Center Rochester, NY- Solo Exhibition of Thou Art..., Will Give...

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Excited to show Thou Art…, Will Give… as a solo show in my current hometown of Rochester, NY.

Exhibition Dates: September 13th - October 26th, 2019 in Photography & Digital Arts Department, Flower City Arts Center, 713 Monroe Ave., Rochester, NY

Reception: Friday September 20th, 6 p.m. - 9 p.m. in Photography & Digital Arts Department, Flower City Arts Center, 713 Monroe Ave., Rochester, NY

Thou Art... Will Give... is an exhibition of photographs by Eric Kunsman documenting the Eastern State Penitentiary, a former prison in Philadelphia, PA. Through this body of photographs Eric offers some of the atmosphere experienced by the prisoners when the Penitentiary was active. Photographs of entries from the Warden’s 1800s logbooks blend with Eric’s photographs to give a historical sense of the prisoners and their treatment. Through these images and text, visitors can share some of loneliness, hopelessness, and desperate search for redemption that drove many of the spirits still trapped within the walls of Eastern State.

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The Center for Fine Art Photography, 2019 Member Exhibition with Juror Cecily Cullen
Aug
7
to Sep 7

The Center for Fine Art Photography, 2019 Member Exhibition with Juror Cecily Cullen

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I have a piece that was accepted to The Center for Fine Art Photography members exhibition with many other incredible photographers.

Public + Artists’ Reception: August 17, 2019

JUROR | CECILY CULLEN

Cecily Cullen is the director and curator of the MSU Denver Center for Visual Art.

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Palmyra, NY- July 4th 2014 featured in "It’s All About The Light" at San Luis Obispo Art Museum
May
17
to Jun 30

Palmyra, NY- July 4th 2014 featured in "It’s All About The Light" at San Luis Obispo Art Museum

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Palmyra, NY- July 4th 2014 featured in "It’s All About The Light" at San Luis Obispo Art Museum

The Central Coast Photographic Society’s biennial juried exhibition at the San Luis Obispo Museum of Art, It’s All About the Light, successfully challenged artists nationwide to submit their interpretation of this theme. Professional photographer Marc Muench was chosen by the Photo Society as their juror this year. After studying 195 submitted images, Mr. Muench selected 46 photographs for exhibition.

This national exhibition attracted outstanding photographers from across the United States, with the greatest number from California. Muench was not privy to the photographer’s identity and had no way of knowing who or where the artist lived as he selected the artwork to be exhibited. Interestingly, talented local photographers, many of them already members of the Museum of Art and its affiliated Central Coast Photographic Society, made up 44% of the accepted individual photographers. Viewers will recognize many local photographers’ artwork in this exhibition, and see the artwork by talent photographers accepted to this exhibition from Idaho and New York.

Related Programming
Saturday, May 18 at 2 PM: ARTalk with photographer Robert Oliver, followed by an opening reception for It’s All About the Light from 3 to 5 PM. Free admission.

Monday, May 20 at 7 PM: Museum Film Night with a double feature of Light in the West: Photographers of the American Frontier 1860—1880 and Porfirio Gutiérrez: Ka Duu. Suggested donations.

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Dodho Magazine online feature for Felicific Calculus: Technology as a Social Marker of Race, Class, & Economics in Rochester, NY
Feb
25
to Apr 25

Dodho Magazine online feature for Felicific Calculus: Technology as a Social Marker of Race, Class, & Economics in Rochester, NY

https://www.dodho.com/felicific-calculus-by-eric-t-kunsman/

Thank you to Dodho Magazine based out of Barcelona, Spain for the online feature posted today. Dodho featured my series Felicific Calculus: Technology as a Social Marker of Race, Class, & Economics in Rochester, NY.

Follow the link to read the statement and see their selections from the series.

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6th Open Call, Rhode Island Center for Photographic Arts
Feb
21
to Mar 15

6th Open Call, Rhode Island Center for Photographic Arts

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Appreciative to have a piece in this group show.

The 6th Open Call for Entries: - A Juried International Photography Exhibition
A juried open call for contemporary voices in photography

Juror: Aline Smithson, is founder of the online photography journal LENSCRATCH http://lenscratch.com/ and an award-winning photographer in her own right. After a career as a New York Fashion Editor working with the greats of fashion photography, Aline is now a Los Angeles based conceptual portrait artist and contributing writer to numerous fine art photography publications, including Don’t Take PicturesLucida, and F Stop Magazine among others. She is a founding member of the Six Shooters Collective http://www.sixshootersonline.com/ and has been teaching at the Los Angeles Center of Photography since 2001. She has exhibited widely and her work is held in numerous of public collections. Aline’s photography was selected for the Critical Mass Top 50 and in 2015 the Magenta Foundation published her first significant monograph, Self & Others: Portrait as Autobiography. She is active as a curator and juror of exhibits, and is a popular reviewer and educator at many photo festivals and workshops across the United States. Aline is best known as an artist for her conceptual portraiture and a practice that uses humor and pathos to explore ideas of childhood, aging, and the humanity that connects us.  She has exhibited widely including over 40 solo shows and has become one of the preeminent promoters of contemporary photography.  www.alinesmithson.com

July 4th, Palmyra, NY
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      The Magic Silver Show: The Elena Diane Curris Juried Photomedia Exhibition
Feb
7
to Mar 29

The Magic Silver Show: The Elena Diane Curris Juried Photomedia Exhibition

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Excited to have three pieces accepted into this exhibition.

The Clara M. Eagle Gallery is now accepting entries for The Magic Silver Show: The Elena Diane Curris Juried Photography Exhibition.  The Magic Silver Show began in the mid 1970’s as a juried exhibition designed to encourage, foster understanding, and reward those involved in photographic media.  This exhibition will present a survey of contemporary photo media in all aspects and genres of photography, film, and video.  This is an open theme exhibition without restrictions on content, that will include still images, film, video, and moving images. Accepted entries will be on view from February 27 - March 29, 2019 in The Clara M. Eagle Gallery at Murray State University.

Bradly Dever Treadaway, Juror
Juror Bio
Bradly Dever Treadaway is a Brooklyn based artist, curator, and professor utilizing lens-based image making, sculpture, installation, and performance to comment on the breakdown of inter-generational communication. His work revolves around fleeting family histories visualized through archival interventions and elevated domestic rituals while questioning material significance within the photographic medium. Treadaway is a Fulbright Scholar to Italy and works as both a Faculty member and the Digital Media Coordinator at The International Center of Photography in New York City. His work has been exhibited at the Whitney Museum of Art, Center for Photography at Woodstock, The International Center of Photography, The Mobile Museum of Art, The Ospedale degli Innocenti in Florence, Italy, and the Lishui Museum of Photography in China. His film/video work has been screened at the New Orleans Film Festival, the Carnegie Museum of Art, the National Centre for Contemporary Art in Moscow, Russia, Union Docs, Anthology Film Archives, the Nashville Film Festival, the Coney Island Film Festival, and at the Brooklyn Arts Council’s Scene: Brooklyn.

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Reality & Perception:  Photography at a Crossroad, Upstream Gallery 10th Annual Juried Photography Exhibition
Jan
31
to Feb 24

Reality & Perception: Photography at a Crossroad, Upstream Gallery 10th Annual Juried Photography Exhibition

Happy to have one of my pieces in this exhibition

In the early 50’s Berenice Abbott wrote an impassioned essay: "Photography at the Crossroads." In it she argued strongly for the beauty of photography as a realistic medium, in contrast to the Pictorialism of the early part of the century, or the Surrealism of Man Ray. This year we asked photographers to submit work from their own practice that demonstrates their perspectives on these issues. We think you will find the results intriguing.

 

We were pleased to have the assistance of two wonderful outside jurors this year: Craig J. Barber and Alexandra Grant. Barber has been photographing for over 40 years. He is a master printer, teacher and specialist in antique photo processes. His work explores our ever-changing cultural landscape and he hangs in many major museums in the US and Europe. Alexandra Grant is Director of Chase Contemporary Gallery in Chelsea. which shows both emerging and established artists in many media. She holds a certificate from Sotheby's Institute in Art Business and a law degree with a specialty in intellectual property.

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Black & White exhibition at A Smith Gallery in Johnson City, TX
Jan
11
to Feb 17

Black & White exhibition at A Smith Gallery in Johnson City, TX

Grateful to have two images included included in this Black & White exhibition and to receive the Director’s Honorable Mention Award.

Juror Jennifer Schlesinger has selected fifty two images from forty five photographers for the juried exhibition "black/white".  The exhibition will be on the walls until February 17, 2019 with a reception this Saturday, January 26 from 4 to 8pm.

Beginning at 5:00 during Saturday's reception, we will have an informal gallery discussion about the images in "black/white" led by gallery directors Amanda Smith and Kevin Tully.  Any artist with work in the exhibition is invited to participate.  We hope this event will create an atmosphere of sharing and creative camaraderie. Dinner after the reception for those who would like to join us.  Please RSVP by Thursday evening.

Congratulations to: 


Philip Augustin's "Negative #17-003-03 with Photogram" / Juror's Award

Philip Augustin's "Negative #18-008-14 with Photogram" / Juror's Award

Philip Augustin's "Negative #18-009-14 with Photogram" / Juror's Award  

Sharon Covert's "Love is Blind" / Director's AwardSusan de Witt's "Séance" / Juror's Honorable Mention

Jerry Ranch's "Carry That Weight" / Juror's Honorable Mention

Sandra Chen Weinstein's "Serenade"/ Juror's Honorable Mention 

Ron Cooper's "Two Friends Confront the Camera" / Director's Honorable Mention 

Robert DeRosa's "Combined Memories 6" / Director's Honorable Mention

Eric Kunsman's "July 4th, Palmyra, NY" / Director's Honorable Mention

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"Abandoned America: States of Disrepair" at Mulberry Art Studio
Oct
5
to Oct 27

"Abandoned America: States of Disrepair" at Mulberry Art Studio

 

I have one piece in this juried group exhibition.

Abandoned America is proud to invite you to enter our second juried photography show, "States of Disrepair", at Mulberry Art Studios in Lancaster, PA in October 2018. Juried by the gallery's owner April M. Koppenhaver, selected work will be part of Lancaster's popular and well attended First Friday gallery event. Both novice and experienced photographers to enter. All mediums are welcome but work must be centered on abandoned spaces.

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Sep
15
6:00 PM18:00

Opening Reception- Pushing Forty at the Trenton City Museum Ellarslie Mansion

A retrospective exhibition that I have been included in. My family and I will be visiting the opening reception to see many old friends.

Throughout the last forty years, many remarkable artists have exhibited in the galleries of the Trenton City Museum at Ellarslie Mansion. You are a part of this legacy – you and your artwork have helped build the wonderful reputation enjoyed by Ellarslie today. While it would be impossible to display work by every artist who has shown at the Museum during the past four decades, we would like to invite you to be part of this milestone exhibition.

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Sep
15
to Nov 11

Pushing Forty at The Trenton City Museum Ellarslie Mansion

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A retrospective exhibition that I have been included in. I will be visiting the opening reception to see many old friends.

Throughout the last forty years, many remarkable artists have exhibited in the galleries of the Trenton City Museum at Ellarslie Mansion. You are a part of this legacy – you and your artwork have helped build the wonderful reputation enjoyed by Ellarslie today. While it would be impossible to display work by every artist who has shown at the Museum during the past four decades, we would like to invite you to be part of this milestone exhibition.

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The 2018 Bank of the Arts National Juried Exhibition
Sep
14
to Oct 26

The 2018 Bank of the Arts National Juried Exhibition

 

Bank of the Arts is a historic, turn of the century former bank building housing the Craven Arts Council & Gallery. The building features impressive original plaster work pillars and decoration illuminated by a large skylight and modern lighting fixtures. The Craven Arts Council hosts rotating exhibitions of local, regional, and national art in their three gallery spaces. The historic city of New Bern, the first colonial capital of North Carolina, has become a prime destination for retirees, families and tourists alike. New Bern's rich history and beautiful geographic setting have combined to create a cultural environment that has attracted an active art community supported by an enthusiastic group of collectors and donors. 

The 2018 Bank of the Arts National Juried Exhibition offers $6,000 in awards, including the $1,500 CAC&G Permanent Collect Purchase Award. The show’s juror will be Adam Justice, Assistant Curator of Modern & contemporary Art at the Museum in Charlotte, NC. Justice is an accomplished curator and juror with credentials ranging from the Polk Museum in Florida to the Hunting Art Prize in Texas.  Justice is also a practicing artist working in the formal intersections between drawing, collage, and acrylic.

This year’s exhibition will also continue the “Ekphrastic Poetry Competition” that has been so well received in previous years. Poets will create original compositions inspired by the artwork in the exhibition, with awards and readings during the October 5th  Artwalk Reception. This year’s poetry juror will be Joe Mills, whose honors include a term as poet in residence at Salem College, inclusion on Garrison Keiller’s NPS program The Writer’s Almanac, and Roanoke-Chowan Award for Poetry.



Juror

Adam N. Justice is a Virginia native who received his Master’s degree in Art History from Virginia Commonwealth University (Richmond) in 2004, following his thesis on the evolving role of sign theory in mid-century American art. He then served as the Gallery Associate at VCU’s Anderson Gallery (2004-2006), the Chief Curator at the William King Art Museum in Abingdon, VA (2006-2010), and the Curator of Art at the Polk Museum of Art in Lakeland, FL (2010-2016). Last August, he joined the Mint Museum (Charlotte, NC) as the Assistant Curator of Modern & Contemporary Art. His career includes an array of curated exhibitions of modern and contemporary art, numerous essays and critiques written for exhibition catalogues and regional publications, and various appointments as judge/juror for regional and national arts competitions, including PhotoNOLA (New Orleans), The Hunting Art Prize (Houston, TX), and Gasparilla Festival of the Arts (Tampa, FL). While in Florida, he also helped found Outer Space (Winter Haven, FL), a contemporary art gallery and studio residency program, where he served as co-curator and resident artist. He still maintains a modest studio space at his home in Charlotte where he explores the formal intersections between drawing, collage, and acrylic.

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A Sense of Place, 2018- Group Exhibition
Sep
7
to Oct 12

A Sense of Place, 2018- Group Exhibition

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I have a piece in this juried group exhibition.

The Gertrude Herbert Institute of Art is pleased to announce the 2018 juried fine art competition, Sense of Place. Open to participants from throughout the United States, this thirty-eighth annual event seeks to recognize the outstanding quality and diversity of work being generated by contemporary American artists. 

Founded in 1937 and housed in the historic Nicholas Ware mansion (c. 1818), the Gertrude Herbert Institute of Art (GHIA) is Augusta's only independent nonprofit visual arts school and gallery. The Institute serves as a showcase for local, regional, and national artists, offering rotating exhibitions of outstanding contemporary artwork year-round. In addition, professionally taught studio art classes in a wide variety of media are provided to students of all ages and experience levels. 

Juror: Judy Onofrio

The juror for this year's competition is Judy Onofrio. A self-taught multi-media sculptor, Judy Onofrio has been creating and exhibiting art nationally and internationally for over five decades.  Over the course of her career, she has worked in various mediums including jewelry, ceramic sculpture, large-scale installations, fire performances, and currently bone sculpture.

Selected awards and achievements include the Rochester Art Center Lifetime Achievement Award; the Minnesota Crafts Council Lifetime Achievement Award; a grant from the Minnesota State Arts Board; fellowships and grants from Arts Midwest/NEA, the Bush Foundation, and the McKnight Foundation.  In 2005, she was honored to receive the McKnight Foundation Distinguished Minnesota Artist award for her ongoing contributions as an artist and educator in the state of Minnesota.

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Photography at the Emerald: 3rd Annual Autumn Exhibition- 2018
Aug
28
to Sep 28

Photography at the Emerald: 3rd Annual Autumn Exhibition- 2018

Another group show for the Fall.

 

This juried photography exhibition was conceived to recognize and reward excellence in fine art photography from all over the United States, and augments the decades long Emerald Art Center National Juried Spring Exhibition for painters.

This year's Juror is Emerald Art Center director, artist, and photographer, Paula Goodbar, who will select up to 90 finalists for the exhibition. Paula will select the prize winners from the accepted photographs, once the exhibition is installed. The exhibition will be on display to the hundreds of gallery visitors to The Emerald Art Center, from August 28 through September 28, 2018.

Bio. for Paula Goodbar, Juror
Director, Emerald Art Center

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Jul
13
to Aug 11

Contemporary Photography 2008-2018 exhibition @ Site:Brooklyn

Very excited to be a part of this exhibition at Site:Brooklyn

ABOUT THE JUROR:

Kristen Gaylord is the Beaumont & Nancy Newhall Curatorial Fellow in the Department of Photography at MoMA. She has curated and contributed to number of exhibitions and publication, including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Beatrice Glow: Spice Roots/Routes (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), Intertwined (2016), and One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016). Previously she was a research assistant at the De Kooning Foundation, and instructor at the Museum of the City of New York.

Since its invention, photography has served diverse purposes—from fine art to criminology, for uses, personal, photojournalistic, or scientific. In the last decade artists have scoured visual culture and its abundance of images, often borrowing the styles and approaches of other fields to inflect or expand what art photography can be. Contemporary Photography 2008–2018 surveys 62 artists who together provide a cross-section of the ways the medium refuses to remain stable, whether exploring new technologies or applying nineteenth-century tools to contemporary subjects.

Some have taken advantage of digital tools to manipulate their own or appropriated imagery, playing off the traditional but incorrect assumption that photographs present truth. Others experiment with analog ways of pushing images into abstraction or illegibility. Eschewing the historic medium-specific divisions some artists document performative work with cameras, while others bring their images into three dimensions. This group also includes those who prove the “straight” photograph is still a fertile area to investigate—through portraiture, still life, and landscape, and with scenes both found and staged. Some artists look outward at family, history, politics, and memory, while others create formal images that highlight their own construction. Together these artists provide a survey of the current and future directions of contemporary art, and of the still-unexhausted potential of photography.

Artists:

Joe Arnold, Jan Blythe, James Reeder, Marcus DeSieno, Hal Gage, Jack Long, Pauline Chernichaw ,Krista Svalbonas, Charles Williams, Nancy Floyd, Arie Knoops, Natalie Christensen, Renluka Maharaj, Jodie Goodnough, Andy Mattern, Kristin Street, Tatiana Gulenkina, Eric Kunsman, Isabel Gouveia, Emma Ressel, Dominic Quintana, Ellen Jacob, Tianran Qin, Niv Rozenberg, Jack Deese, Marta Wapiennik, Brenda Biondo, Joe Whalen, Jerry Takigawa, Bruce Hooke, Rachel Liu, Daniel George, Liz Claus, Paul Lee, Garin Horner, Dorian Lee, Ken Dreyfack, Robert Kalman, Amy Becker, Lori Kella, Richard Westerhuis, Deborah Wing-Sproul, Michael Borowski, Flora Wilds, Nick Shepard, Christine Atkinson, Anna Cone, Samuel Harnois, Hyungjo Moon, Lauren Orchowski, Zeren Badar, Milt Connors, Rebecca Jacobs, Eric Thompson, Francis Crisafio, Benjamin Samuel, Sydney King, Caitlin Mitchell, Caroline Yoo, Shih-Hui Chang, Cody Bratt, David McGlynn

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Jun
25
to Jun 27

Color Managed Workflow for Digital Print (June 25-27, 2018)

  • Rochester Institute of Technology (map)
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Dates: June 25th-27th, 2018

Overview

If you are new or relatively inexperienced to a color managed digital imaging workflow, this workshop may appeal to you. Do you struggle with getting the image on your monitor match the prints you make? If so this workshop will fully investigate the important procedures required to go from capture to print. Participants will receive hands-on and practical instruction necessary for setting-up and utilizing a color-managed workflows integral to managing files from capture to final output. Hands-on experiences with personal files using the School’s state-of-the-art equipment and facilities will allow participants to walk away with broad and extensive knowledge of contemporary practices for workflow and required steps to achieve greater control of practices leading to desired outcomes.

 

Participants will Learn

What a color-managed workflow is and why it is important?
How to get a print to match what is observed on the monitor.
What hardware and software tools are required to manage digital color.
How to create and use color profiles.
The language of color management and associated terminology.
How to create full tone color and/or black and white prints from digital files.
How to choose the proper substrates for your artistic vision.
How to choose the correct digital printing technology for your budget ad artwork.
Controls/Techniques utilized in every step of the process for complete control of your workflow.
A complete experience with a wide variety of hardware tools, cameras, spectrophotometers, printers, scanners, substrates, etc.
Techniques for finishing your prints for proper display.

 

Program Outline

General overview of Color Management
Defining color various spaces … capture to output, a comparison.
Using and recording accurate color, color checkers, camera raw, etc.
Monitor calibration and profiling
Scanning and color
Projector profiles
Color settings in Photoshop & Lightroom
Printer profiles, generic and custom. Where do they live?
Profiling tools for custom printer profiles
Custom printer profiles
File Formats & Archiving Techniques
Print Technologies
Inkjet printers
Inkjet Paper Discussion
Alternative printing media
Preparing images for print
Black point, white point
Test print, evaluating your image
Optimize image for print, plug-ins.
Printing considerations
Driver settings
Printer Maintenance (Nozzle checks, Platen gap)
Avoiding paper
B&W Printing
Finishing Techniques
Creating work in editions & Archival Qualities
Questions and further study

 

Who Should Attend

Educators, Photographers, and others who want - or need to - learn how to manage color images from the stage of initial capture to output.

 

Special Program Features

Participants should bring their own digital images, slides, negatives, or other relevant document enabling a richer experience in the making of inkjet prints on a variety of printers and papers, up to 44" wide.

 

Instructor Bios

Eric T. Kunsman is a photographer, educator and book artist from Rochester, New York. Eric is currently a Lecturer for the Arts & Imaging Studies Department in the National Technical Institute for the Deaf and also teaches in the School of Photographic Arts & Sciences. He was formerly an Assistant Professor at Mercer County Community College where he was also the coordinator of the photography program. He has nationally taught workshops, lectured on digital printing. Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia, and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography all from the Rochester Institute of Technology in Rochester, New York. He currently owns Booksmart Studio, which is a fine art digital printing studio specializing in numerous techniques and services for photographers and book artists.


For more information visit: http://www.rit.edu/cias/photoworkshops/courses.php

 

 

Program fee:  $350
Materials fee: $150

 

REGISTER

 

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