Published, Designed, or Books of my work.
Exposing Saints takes you on a journey starting in NJ and takes you throughout the Southwest of the US. We start with low depth-of-field in NJ and work our way to higher depth-of-field once we reach Utah. The history of photography is also relevant with a whimsical humor about the potential photography saints one may call upon during their photographic endeavors.
Offset lithography and inkjet artist book.
Edition of 1,000 copies
Issue 07 (Print Edition) Dodho Magazine
Printed on 80# matte paper 22x28cm | 92 Pages
Dodho Magazine has become one of the most influential online magazines for contemporary photography present day.
We are committed to discovering and promoting the best photographers around the world. Dodho Magazine is a free independent magazine. We live, breathe and move by the passion that awakes photography in all their ambits. ll photographers published in the Dodho and online magazine, have been permitted by the author to be published and are protected under international copyright law. Dodho Magazine is highly respected among galleries and photography agencies all over the world. Our print edition is designed to provide a great boost to your career allowing you to reach the right people at the right place and at the right time. Many published photographers have experienced a great increase of interest by their work and have received interesting offers of agencies and galleries.
Peripheral visions: Side vision. The ability to see objects and movement outside of the direct line of vision. Peripheral vision is the work of the rods, nerve cells located largely outside the macula (the center) of the retina. The rods are also responsible for night vision and low-light vision but are insensitive to color. As opposed to central vision.
I try to portray the landscape as I observe it within the moment that I am first discovering the subtleness of the area. We choose our experiences in life, and I am only trying to portray those experiences I have chosen, with an audience. I choose a part of the landscape that I have experienced and try to express what I felt was most influential about that particular scene. My personal experience alters these landscapes and therefore changes the way in which observers can view them. Observers of these photographs are looking at the scenes through my eyes and experiences, as well as pulling their own experiences from these photographs.
I often observe a scene and look for a composition that fits within my personal vision of stretched lines, forms, compositions, as well as spectral sensitivity. Many of the scenes have been altered by what I have chosen to capture within the frame and what I have decided to eliminate. The scenes have also been warped or distorted by my constant use of wide-angle lenses. This sense of capturing a limited yet distorted part of the landscape is what entices me to keep observing and capturing moments and scenes throughout my life.
Inkjet printed Ultrachrome prints on Innova Smooth Cotton 315gsm hand-bound. Encased in a custom clamshell box.
Edition of 50- Currently at #27 of 50
Louis H. Draper, Selected Photographs
Lou was my largest mentor in my career and taught me more about visualizing a finished photograph and body of work, being a working photographer, and how to be an educator.
I had the honor to design and publish his book after his passing in conjunction with Mercer County Community College. I also had the distinct honor of working with Kamoinge and many of Lou’s friends on the editing.
Offset lithography printed and bound at Friesens.
Edition of 1,500 copies